As an article from the New York Times notes, there are certain rules that entertainment lawyers play by. They follow a pretty common playbook: deflect, cover or cower, most often behind carefully worded statements or tabloid stories. But the legal team of Sean Combs — the music producer also known as Diddy — has taken a new approach to protecting their disgraced star: They’re defending him on TikTok.
When criticism is forced into being praise, we lose both those guiding voices and the determination to do better, be better and find music that fits our sound.
At a certain point, the lines begin to blur — are the SNL writers just making bad jokes, or are they so blinded by conventional attractiveness that they’ve been rendered comically stupid?
Viewers who criticize Bradley Cooper's six-and-a-half-year process of preparing for his role in 'Maestro' is unnecessary. Judge the performance, not the process.
Condé Nast’s merge with champion music publication Pitchfork threatens to kill the spirited focus on the underground music scene that made Pitchfork worth reading.
The latest debacle on the Boston University Parents Page over the "Shut It Down For Palestine" protest shows how Facebook parents page enable the coddling of college-aged children.
On Sept. 1, I received an email from the Boston Globe opinion section. I have the bad habit of allowing these emails to build up like dust in my inbox, unread and unnoticed, but the headline — which addressed a nameless subject — caught my attention. It read: “We can’t miss you if you won’t go away.”
