The utility of the term girlboss has perhaps passed, as we as a generation begin to question the actual efficacy of utilizing capitalism to destroy the very inequalities it creates.
Rather than the indie predecessors to “Pretty Girl” and its pop-y remixes, Maggie Lindemann's debut EP “PARANOIA” strikes a different chord, with a new alternative-rock sound more aggressive than the simple pop flair of her 2016 single.
