For those who are wondering what to watch next, there are several other gripping shows like “The White Lotus” that share the same theme of sharp wit, layered storytelling and striking visuals.
My pursuit of filmmaking isn't about accolades or recognition — it’s about the opportunity to tell stories that resonate deeply, challenge perceptions and contribute to a broader cultural conversation.
“Koisenu Futari” answers the question posed in its first episode — “There’s nobody who can’t fall in love, right?” — by showing the audience how rich and fulfilling a life with a platonic partner can be. It reminds us that living life being true to yourself is always worth more than living it for someone else.
However, amongst Dreamwork's long catalog of movies, one will find a series of films that directly continue with the traditional style. These four movies, each made with traditional methods of animation, have largely been lost within popular conceptions of the studio, drowned out by the size and influence of their other franchises.
In a shocking turn of events, “A Haunting in Venice” — the latest Branagh-Christie pairing — is easily the best project Branagh has directed in years. Even if some of its efforts at crafting horror fall a bit flat, the supernatural mystery offered here makes for an eerie and entertaining watch — one that is far more satisfying than its precursors.
The perceived age of an actor or actress is important, not just for the viewer's entertainment but for the overall success of a TV show or movie. Fundamentally, age is not just a number — it’s a commodity. The younger you look, the more likely you are to be successful in Hollywood.
Boston University alum Brian Gaugler said working on his first feature film "Raya and the Last Dragon" as a production assistant for Walt Disney Animation Studios taught him how critical creativity and passion are for success in the industry.
